Weeping Flowers, inspired by the Amherstia nobilis, a rare flower from Myanmar, float in the space. Through them Sandar Tun Tun evokes the transmission of memories and intimate recollections through a botanical heritage marked by colonialism and militarism.
The immersive sound installation Songs of Sown Seeds unfolds as a composition in which a stratification of stories and buried resonances are interwoven. Dim red light and the distinct smell of earth and incense envelop the space, altering perception and creating a threshold between memory and presence. Between solidity and dissolution, silence and resonance, this installation questions the traces left by personal and collective histories – those that fade and those that persist, suspended in time.
Sandar Tun Tun‘s work revolves around fabulation, new alliances and collaborative trajectories. Their research focuses on modes of transmission within aural cultures and artificial narratives.
L’exposition est accompagnée d’une poème de Rosanna Puyol Boralevi et un entretien avec Hypatia Vourloumis.